Have Yourself a Merry Little Christmas
As a fan of Jazz Fusion, and Dave Grusin and Tom Scott in particular, from long ago, I’m including one of my favorite cuts from the…
As a fan of Jazz Fusion, and Dave Grusin and Tom Scott in particular, from long ago, I’m including one of my favorite cuts from the…
Some in-laws sent a link our way and we enjoyed it so much I thought to share. All care of cartoonist Joshua Held, it redeployed The Drifters‘ absolutely…
I promise just because Peter Travers went and ranked every Bond film, which I reacted to it, I’m not planning on making a Versus Rolling Stone article a…
Last month I completed the series I began back in January that examined and remarked on The American Film Institute and its recent proclivity to create lists. Specifically, the Top 10…
I’ve followed one Patricia (Patti) Abbott on the web through her blog for more than a couple of years now. The Detroit-based Patti also hangs out…
Continuing my thoughts from February regarding the use of song in film, “needle dropped” tunes are not officially considered part of a film score — those orchestral, choral, or instrumental pieces some consider background music. Both are equally utilized as cues by filmmakers for a specific purpose or to elicit certain reactions by the audience. I’m fascinated by this in general, and movie soundtracks have long intrigued me. A convergence of the music and film arts I’ve allocated much time toward. Some (not all) movie soundtracks have incorporated those songs the director or music programmer have showcased in their movie along with the film’s score.
Sometimes, you run into an infectious song that immediately clicks with you and your ear. You play it, and play it. Over and over again till…
It seemed the natural thing to do. Culminate my Exorcist week with the iconic instrumental so thoroughly associated with the film. A non-vocal tune that would equally impact the Top 40 pop chart like only a handful from the surrounding decades. No one seems to produce this art form in this day and age. Sure, I’ve highlight one from way back, and the 80s were more loaded than usual (Top Gun, St. Elmo’s Fire, Chariot’s of Fire). Still, none of those came from a horror film or carried the weight of a movie like Mike Oldfield’s did. To this very day, in point of fact.
Like some, certain memories are tied with the music of the time. During this particular period, I was in my Jazz Fusion phase and the artists in and around the genre. Yet, still very much near the R&B stylings of the day. And with summer of 2012 coming to an end tomorrow, there is one song and artist that comes back to my mind’s eye whenever the autumnal equinox cycles passed.
No time to write of late (too busy at work and home), but I thought I’d throw out some music to offset the craziness. My blogging…
This is the next entry in a Theatre… a Movie… and a Time, a series that was begun here. I have to thank my blogging colleague Jeff over…
My Northern California colleague, Jeff Vaca of the Stuff Running ‘Round My Head, is a wonderful blogger who covers many of the popular arts that have kept my interest through the decades. His views on music regularly either have me nodding in agreement, or opening my eyes to tunes I’ve forgotten or ignored.
There are moments that truly stay with you, at least while the brain cells hold out during our stay on this mortal coil. I daresay graduating from the cauldron that was senior high school being chief among them. It was, and still is, an institution that guaranteed the person that finished the undertaking no longer resembled the one who started it. Everything changed by the time you got the diploma in your hand. You weren’t the same physically, mentally, or emotionally when it was done. No one had an easy time of it, even the popular kids. If someone says they did, they’re l-y-i-n-g. High school was that oddly endearing modern rite of passage. And much like keelhauling, most merely wanted to survive the experience.
Song Title: Incense and Peppermints Sung by: Strawberry Alarm Clock Released: May 1967 Recorded: 1967 (Los Angeles, California) Genre: Psychedelic Pop Length: 2:37 Label: UNI Records…
As I mentioned some weeks ago, I remain a fan of the ahead of its time, little seen, and under-appreciated masked crime fighter TV series from…
Honestly, I’m not that ancient, but I do maintain an affection toward the old love songs that originate from movies. Such is the case with the…
Every so often, my wife wants me to take her to a movie. It doesn’t happen often, or often enough. That’s so because our movie tastes…
Previous: Recommended Reading As I continue my look at the wonderful gift my bride of 23 years gave me for our recent wedding anniversary, this is…
Sometimes, life has a way of simultaneously bringing a wistful smile to your face while throwing you for the proverbial loop. So it was with me…
Note: I’m re-tasking this old song post for the Weekly Writing Challenge: Moved by Music over at The Daily Post. Miami Vice Episode Title: Definitely Miami Episode #:…