31 Days of Oscar – Recant This! Recasting Oscar’s Picks: the 70s
The blogathon masters Paula, Kellee, and Aurora are at it again. They’ve come up with the 31 Days of Oscar Blogathon. Their goal, a worthy one, is for bloggers to…
All things relating to film and the cinema
The blogathon masters Paula, Kellee, and Aurora are at it again. They’ve come up with the 31 Days of Oscar Blogathon. Their goal, a worthy one, is for bloggers to…
This is the next entry in a Theatre… a Movie… and a Time, a series that was begun here. Two quite separate but relatable things induced this particular theatre, movie memory. The first being last month’s initial-viewing of the 2004 thought-provoking documentary, Imaginary Witness: Hollywood and the Holocaust. The other being my colleague ckckred’s 2012 piece, Stanley Kubrick on Schindler’s List I only recently found:
“Schindler’s List is perhaps the highest praised film of the last twenty years and one of the most heralded. Though Kubrick does have a valid point, I feel he’s missing the message of Schindler’s List. Spielberg’s story not only was about the Holocaust, but the redemption of a man. Oskar Schindler’s rescue of hundred of Jews is not only heroic and brave, but also touching to the audiences.”
Originally posted on Riding the High Country:
We all die, just a question of when. I’m an unashamed fan of westerns from the 1950s, the genre’s…
A brand spanking new year, 2013, and we’re already one month down. Almost. The last day in January means it is time once more to restart…
Greetings, all and sundry! It isn’t often that circumstances, however odd fall into place so serendipitously. As to nudge a thought from the back of my…
This is the next entry in a Theatre… a Movie… and a Time, a series that was begun here. My colleague Kevin, based on the strength of his writing and reader reaction to his wonderful guest post here, gets the credit for bringing this film and memory to the fore:
“Not only in its projection of overall firepower with Wagner’s “Ride of the Valkyries”, but also in the wide variety of mechanized mayhem. From the Air Cavalry’s troops and their assembled M-16s. To the pintle mounted M-60s, pylon mounted quad M-2 Heavy Barreled .50 caliber Browning Machine Guns and pod mounted High Velocity Artillery (HIVAR) Rockets. The soundtrack fits the montage like a custom fitted suit. Scratchy voice overs and all. Culminating in a piece of film that is powerful, random and deadly.”
This is the next entry in a series from early last year that looks at the use of “needle dropped” songs, many of them popular tunes, in movies.…
Reblogged » Radiator Heaven: Bring Me the Head of Alfredo Garcia. Today, my good friend J.D. over at his Radiator Heaven blog reprised his most excellent look…
Greetings, all and sundry! I would like to thank Michael for the opportunity to broach and examine a topic that may seem odd to some. Though…
This is the next entry in a Theatre… a Movie… and a Time, a series that was begun here. Credit for this one goes to my blogging colleague,…
This is the continuation of a series from early last year that looks at the use of “needle dropped” songs, many of them popular tunes, used in movies…
Okay, it’s now 2013 and there’s no Bond film on the immediate horizon. Argh! Perhaps, I’m merely venting my hangover from last year’s 50th anniversary celebration…
If last year is to be believed (seems so long ago now), I began a change, as I mentioned in April. Previously, I did not have a…
Since it’s Christmas Day here in the U.S., and in keeping with the music theme from my last post, I thought to include some of my…
This is the next entry in a Theatre… a Movie… and a Time, a series that was begun here. I’d like to thank my film noir/western blogging colleague Colin of Riding the High Country once more for triggering this remembrance. If it wasn’t for his stellar review of a truly under appreciated film, this all could have gone by the wayside, I fear. From his article:
“Elegiac is a word that has been used more than a few times to describe westerns that began to appear in the 1960s and particularly in the 1970s. While many movies tagged with this term do have a certain sorrowful quality to them, I can’t help feeling that it’s been overused at times. On the other hand, there are occasions where this description is highly appropriate, Monte Walsh (1970) being one of them.”
Originally posted on Riding the High Country:
Well, the holidays are fast approaching, work is pretty hectic, and I didn’t feel like doing one of my…
This film post, a reprise of a celebratory piece I wrote for Edward Copeland’s blog over a year ago for this stellar British crime film on its…
Through 2012, there have been some wonderful articles by my colleagues on all sorts of things Bond. Just for posterity, and to place the responses I’ve made…
I promise just because Peter Travers went and ranked every Bond film, which I reacted to it, I’m not planning on making a Versus Rolling Stone article a…
“Shocking! Positively shocking!” Sit in enough waiting rooms and eventually you’ll find something good, or at least half-way interesting, to read among the periodicals left for…