Guest Post » Hollywood’s Rugged Individualists, Thugs and Creeps Part 1
Welcome all and Sundry. To this closing installment of a very intriguing three post arc covering different “types” of characters demanded in film. And those few…
Welcome all and Sundry. To this closing installment of a very intriguing three post arc covering different “types” of characters demanded in film. And those few…
Even when his films began to experience critical and financial failures in the mid-60s, Preminger’s still held your eye and interest. Likely the initial film of these so-called bombs would also be the first of his I actually saw on the big screen at the local movie theater. In Harm’s Way. It’s my contention the film’s forgotten somewhat because it’s not listed among either the director’s or the film’s leading man’s best. That’d be unfair for it was a better drama than given credit, perhaps disregarded because of its war film heritage.
Name someone who defined the gangster on film — and way, way before Coppola or Scorsese. Who would also go on to shape the screwball comedy, too. Might as well throw in the dark of film noir into the mix. Plus, take on that other Hollywood staple, the Western, challenging John Ford’s domain. And use John Wayne perhaps even more effectively. The answer would be one Howard Winchester Hawks (by the way, John Carpenter’s favorite director).
Among his regular readers, blogger Dennis Cozzalio (he of the wonderfully titled Sergio Leone and the Infield Fly Rule site… and that’s not him pictured above, btw) is…
Some years ago, the writer and movie blogger known as Mr. Peel examined John Wayne‘s final film, The Shootist, in another of his splendid film essays.…
Previous: Sports This is the continuation of a series I began in January of this year that examines and remarks on The American Film Institute and its recent propensity to create Top…