Still more lazy thoughts from this one…

13 Perfect Cinematic Moments (via Song) – A Fistful of Moments BLOGATHON

afistfulofmoments

With Ruth’s (and Ted’s) wonderful contribution of late to Andrew’s fine idea of blogging about our favorite scenes over at A Fistful of Films Blog, I was inspired to take part. Okay, Ruth asked…and I can’t deny her. That this was subsequently turned this into a blogathon (which I’m so, so late in joining!), also pushed me to contribute something. Here’s the gist of what Andrew had in mind for the kinds of scenes he’s referring to:

“We all have them in the back of our minds; those moments that make us think “man, this is what the movies are all about”. We relive those moments in our mind’s eye, remembering them and dissecting them and adoring them. They come in all shapes and sizes, from all types of films, and yet they all share one very important aspect; they define why we love the movies. It could be the way that the moment is cut; the way it’s edited together. It could be the way the moment uses it’s actors to evoke a powerful emotion from us. It could be the way that music floods the scene and draws us even closer to the moment in question. It could be a grand climax, a breathtaking introduction or a simple interchange. It could be any and all things, because for every film lover, the list is different.”

The rules were indeed “…super simple, so simple they may as well not be rules, just suggestions.”

1) Pick a number between 1 and 100 (any more than 100 is just gaudy)
2) Choose that many cinematic moments that are either your all time favorites or ones that could, on any given day, be your all time favorites
3) Post them on your blog (or Tumblr or whatever) with the above header (or one you create for yourself)
4) Send me the link by either posting it here in the comments or getting ahold of me on Twitter ( @fististhoughts )

Andrew has already posted a summary with updated links to all participants who made his deadline of April 6th. I’m joining way past that mark, but that couldn’t be helped. Family and work can do that. Since I could pick a number, it’ll be my favorite. Natch. As well, I focus on the cinematic moments that I’m naturally drawn to, with regard to what I regularly offer here on Ye Old Blog. The “needle dropped” movie variety.

Hard to limit this to such a small set, I must say. There have been so many through the decades of both film and music. More than a few of them have affected me merely through their viewing. But clearly, I’ve my favorites. So I present the following list as my entry. Going for as diverse a musical display in this movie moment piece I could muster to fit the subject at hand. And in no particularly order…well, maybe my own. 😉


Honorable Mentions (the last I cut to get down to 13, in other words)

Fantastic Mr. Fox use of Bobby Fuller Four’s Let Her Dance for its closing scene

Beauty and the Beast and its big Be Our Guest number

Close Encounters of the Third Kind and teaching a musical vocabulary

The Big Chill‘s opening with I Heard It Through The Grapevine (over Kevin Costner’s corpse)

Manhunter‘s use of Iron Butterfly’s In A Gadda Da Vida in its final confrontation

Top Gun‘s Danger Zone opening sequence

Pee Wee’s Big Adventure and dancing to The Champs’ Tequila…in a biker bar

Almost Famous‘ use of Tiny Dancer on the bus

Jackie Brown playing The Delfonics Didn’t I Blow Your Mind (This Time) for Max Cherry

My 13 Perfect Cinematic Moments

Malcolm X and Sam Cooke’s A Change Gonna Come

Having watched this again on the big screen during last week’s TCM Classic Film Festival, this has lost none of its power. The culmination of Malcolm X‘s journey from child to adult; from criminal to minister of the Nation of Islam; from staunch separatist to the devoted family man who reevaluated his views. Set to Sam Cooke’s seminal song, which became an anthem to the Civil Rights Movement, as he drives to his assassination.

The Shawshank Redemption and Mozart’s Canzonetta Sull’aria

The Frank Darabont adaptation of Stephen King’s novella accomplished a rare feat. The director-screenwriter created and added a new segment — which didn’t exist in the source novella — to an already redemptive story. Simultaneously brought about a sweet-sounding and singular sequence that could only be part of the cinematic experience. The unexpected use of the aria from the Marriage of Figaro by Mozart.

Breakfast at Tiffany’s and Audrey Hepburn’s Moon River

I firmly believe you don’t need length, or expansive scenes to have a perfect cinematic moment. Especially if you have Audrey Hepburn in it. The brief musical instant in Breakfast at Tiffany’s with Audrey at her best in a signature role, singing the number Henry Mancini wrote specifically for her, was that one. The lovely, melodic, and the rare vulnerable moment of Holly Golightly’s that took Paul Varjak, and the rest of us, prisoner.

Ferris Bueller’s Day Off and The Beatles’ Twist and Shout

Speaking of a signature role, hard to get past the one John Hughes and Matthew Broderick fashioned with the ditching high school senior Ferris. He who crashed Chicago’s annual Von Steuben Day Parade by lip-synching his way to immortality. First with Wayne Newton’s cover of “Danke Schoen”, but reaching old and young alike, at the parade and in the movie audience, with The Beatles’ Twist and Shout. Simply magical.

An American Werewolf in London and Credence Clearwater’s Bad Moon Rising

Since I’ve also mentioned the Moon, might as well include my favored sequence in one of my all-time favorite werewolf films. An American Werewolf in London. While the song “Blue Moon” was repeatedly used in the film1, it’s this most quiet but meaningful, film progression, one that keyed off Credence Clearwater’s Bad Moon Rising, that remains a testament to the film’s tragic essence and emotional content.

Jackie Brown and The Brothers Johnson’s Strawberry Letter 23

For a film filled with great scenes, needle-dropped songs, and the ever distinguishable Tarantino dialogue, this may be my favorite. Jackie Brown used The Brothers Johnson second pop/funk hit to complete its 70s vibe, placing it into intriguing motion. The juncture when Ordell Robbie “lets go” of an employee. The song enters at the gunrunner’s mastery of the situation…the point when his mixtape drops into the cassette deck.

Beetlejuice with Harry Belafonte’s Day-O

Let’s not forget the unanticipated moment in Tim Burton’s Beetlejuice where he interjected a traditional Jamaican mento folk song into the urbane dinner conversation hosted by Charles and Delia Deetz. The yuppies who’ve unknowingly just renovated a haunted house. Never has Harry Belafonte’s signature song, Day-O (The Banana Boat Song), been used so unpredictably and divertingly. Especially by its close2.

Dr. Strangelove and Vera Lynn’s We’ll Meet Again

While I’ve noted Stanley Kubrick’s and Pablo Ferro’s sublime opening title sequence and song for Dr. Strangelove, I think for this its closing scene was the true stunner of a cinematic moment. While most didn’t realize the song “Try a Little Tenderness” accompanied the former, surely Vera Lynn’s rendition of “We’ll Meet Again” in the latter was readily apparent to viewers, along with its dire tone, in the stark black comedy.

2001: A Space Odyssey and the Adagio of the Gayne Ballet Suite

Stanley Kubrick’s Adagio sequence heralds the entrance of the Discovery space ship and its small crew on their way to the secretive Jupiter mission. It is simply an elegant and evocative piece of music, used by him to denote the lonely and tentative existence these people find themselves in the large cold vacuum of space. Simply, music as dialogue in one of the most cinematic and amazing sequences ever filmed, in my opinion.

Casablanca’s La Marseillaise

I’m not afraid to admit this scene, a rousing cinematic moment if there ever was one, primarily through its music, in my favorite film still gets to me. It’s inspiring beyond my own belief whenever I watch it, or hear the French national anthem that is La Marseillaise, sung. Still sends chills up my spine and I mist over every single time. Did just that replaying it once more as I wrote these words on my computer screen. What of it?

Michael Mann’s Heat and Moby’s God Moving Over the Face of the Waters

Just no way I couldn’t include the final scene from my favorite Michael Mann film, Heat. By the time the audience and the two antagonists reach the climatic sequence, with hints of Peter Yates’ Bullitt airport chase, Heat’s tense climax on the outskirts of LAX is another one of those great cinematic moments. Mann skillfully brings their chase and relationship to a poignantly moving close with Moby’s song of God’s actions.

Mulholland Drive and Llorando

As I already said regarding Roy Orbison’s “Crying”, “So when Rebekha Del Rio performed an a cappella version of the song, in Spanish no less, entitled “Llorando”, for all the world to see in Silencio theatre for David Lynch’s 2001 film, Mulholland Drive, the result was simply jaw-dropping. The movie scene says it all, and then some. Without shame, Rebekha’s cover can get me crying. Every time.” A lovely, haunting moment.

A Hard Day’s Night and The Beatles Song

I’ll end with the cinematic moment I believe set me on the path I’ve been on. Although I’d heard the Fab Four’s songs on the radio beforehand, it was this movie, and A Hard Day’s Night opening scene, that first mesmerized me. Still within its impact. Not only did that triumphant strum of guitar, bass, and piano herald the film, it opened the Pop era for me. My eyes and ears uncorked to the possibilities of what film and music3 could bring as a result.


  1. Sam Cooke’s version being the one that accompanied the film’s startling werewolf transformation
  2. One he’ll repeat by the film’s close with another Harry Belafonte standard, Jump in the Line (Shake Senora)
  3. A case could be made for all of the song presentations in A Hard Day’s Night, along with a few memorable ones from The Lads’ follow-up, Help! 
Advertisements

21 Responses to “13 Perfect Cinematic Moments (via Song) – A Fistful of Moments BLOGATHON”

  1. Arlee Bird

    This is a tough one–there are so many. You picked some good ones, especially the one from Mulholland Drive–a scene with a lot of impact.

    The first one that came into my mind as I was reading this was the ending scene of Fellini’s Nights of Cabria . Nino Rota wrote so much great music for many of Fellini’s films and it always seems to fit the scenes so well. Okay, call me obsessed.

    There are many others from other films that are not immediately coming to mind. How about “Mad World” when it appears in Donnie Darko?

    Arlee Bird
    A to Z Challenge Co-host
    A Faraway View

    Liked by 1 person

    Reply
    • le0pard13

      “Mad World” does indeed work in DONNIE DARKO in that distinct way of a perfect cinematic moment, alright. Beautiful selection, Lee. This category is quite bountiful. Thank you so much. 🙂

      Like

      Reply
  2. Cindy Bruchman

    Fantastic idea, fantastic list connecting to a song, Michael. What would I have added? Hhmm. Hewey Lewis and the News in American Psycho. The Swan Lake ending with Natalie P. in The Black Swan and any number of scenes from Pulp Fiction like Neil Diamond’s “Girl, You’ll Be a Woman”. 🙂

    Liked by 2 people

    Reply
    • le0pard13

      More great ones, Cindy. Yeah, love that Neil Diamond moment in PULP FICTION. Makes me want to revisit once more. Thank you very much, my friend. 🙂

      Like

      Reply
  3. ruth

    Oh my, these are awesome!! Love that you add a personal twist w/ the memorable song in the scene. I especially love that Shawshank scene w/ Mozart’s aria from the Marriage of Figaro! And any scene from HEAT is all right by me! 😀

    Liked by 2 people

    Reply
    • ruth

      Btw Michael, I just might *steal* your idea of posting a perfect cinematic ‘song’ moment. I just saw a film that has exactly the scene I want to use. Once that clip is available on Youtube I’ll compile a list 😀

      Liked by 1 person

      Reply
    • le0pard13

      Alway good to hear, Ruth. Yeah, just HAD to include those in this. Thanks for this and for the push to join in on the blogathon, my friend. 🙂

      Like

      Reply
  4. Rick Ouellette

    Great selections here! Like anyone else, some of these resonate more with me than others and I was esp. happy with the two Kubrick-related pieces. Just about all of his films were enhanced with great music selections. So I’m going to nominate the Chieftains’ playing of “Women of Ireland” at the very start of Barry Lyndon and the use of “Surfin’ Bird” and “These Boots Are Made for Walking” in Full Metal Jacket”

    Liked by 2 people

    Reply
    • le0pard13

      Oh, that is a great piece. “Women of Ireland” remains a moving piece of music. Good ones, too, for FULL METAL JACKET. Thanks so very much, Rick. 🙂

      Like

      Reply
  5. jackdeth72

    Excellent choices, affirmations executed with a really great and clever twist, Michael!

    Your choice for ‘Shawshank’ is exceptional for it humanity.

    Kubrick is renown for his use of music, Mostly classical, Though his ‘Try A Little Tenderness’ and ‘Some Sunny Day’ work superbly well in ‘Dr. Strangelove’. While also bringing on an ironic smile!

    Michael Mann and Quentin Tarantino are moving into that high realm as well with contemporary tunes. As Cindy rightfully noted with ‘Pulp Fiction’.

    Also like Scorsese’s use of the Chips”Ribber Biscuit’ during the bar room rumble in ‘Mean Streets’. And Ridley Scott’s ‘Across 110th Street’ in ‘American Gangster’.

    Very well done, my friend!

    Liked by 1 person

    Reply
    • le0pard13

      More excellent choices yourself, Kevin. Reading them they came instantly to mind, as great ones should. Nice to mentioned “Across 110th Street”. Well done and thanks, my friend.

      Like

      Reply
  6. Paul S

    I’ve always thought we had similar taste but with your choices here you’ve really thrown me a curveball. There are several I haven’t even seen.
    American Werewolf in London and Heat are two of my favourites though. Good call on Michael Mann’s homage to Bullitt too!

    Liked by 1 person

    Reply
    • le0pard13

      There’s just so many great ones using music in their moments. I tried to so a wide range in this. Glad to hear a couple of them registered with you, Paul. Warms my heart. Thank you so much, Paul. 🙂

      Like

      Reply
    • le0pard13

      Thank you for the kind words and putting forward such a fantastic idea to blog about, Andrew. It’s been much appreciated and inspiring. Well done, my friend. 😀

      Like

      Reply

Are you talkin’ to me?

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Basic HTML is allowed. Your email address will not be published.

Subscribe to this comment feed via RSS

%d bloggers like this: