Still more lazy thoughts from this one…

Purely Because of a Movie – Songs on My iPod Part 7

ipod-classic

Continuing my summer of 2014 series, which was begun right here and chronicled my history with said device, examining the music that ended up on my iPod byway of the films that featured it on their soundtracks. An inventory, as it were, and one I continue to add to. Especially since I press on with my movies-watching and music-listening.

New song and those of a more vintage variety, even years after the initial screening, which still got there purely because of a movie. As alluded in another series, the convergence of the music and film arts is one I’ve spent much time toward. I’ll attempt to break these songs up into the categories most fit into, at least for my bizarre thinking, purely to make it more manageable in presentation. Fewest to most.

Featured Song

In other words, Frozen‘s Let It Go moment. A song I really enjoyed when I saw it, but have grown sick of the tune by the sheer number times it’s been replayed on TV and online. Ad nauseam.

Okay, this is the Big Kahuna…the musical highlight. Seemingly, the prime reason the movie is a platform for this number. What music fans desire, a tune to show off. The important caveat being it’s not the film’s theme song. That said, nothing in my definition says a film should feature only one. In fact, a few of these on my list have a couple. Given the number of these on my iPod, I’ll split them up by a simple differentiation.

Whether the film is a musical or not.

Musicals

the wizard of oz

Wizard of Oz (1939)

Over the Rainbow: Of course, this classic had to be included. No one ever sang it like the young Judy.

If I Only Had a Brain: Ditto, just with Ray Bolger. Always loved this character.

sound of music

The Sound of Music (1965)

Favorite Things: God, I love Julie Andrews! It’s here where I began my crush, as I saw this way before Mary Poppins.

Something Good: Ditto.

Edelweiss: Never knew Christopher Plummer could sing, or had a voice like this. I need to rewatch this movie, which will chase out everyone in my home. But I don’t care ;-).

funny girl

People – Funny Girl (1968): I for one still consider this the signature tune for Barbara Streisand, as my dear aunt Olivia did.

jesus christ superstar

Jesus Christ Superstar (1973)

I Don’t Know How to Love Him: Yeah, Helen Reddy covered it for a ’71 pop hit on radio, but Yvonne Elliman truly owns it. Having performed it on stage and reprising the song for the Norman Jewison film adaptation, where she really captured it for me.

Everything’s Alright: Nothing wrong in having more Yvonne. Sure, I’d heard it before, like Helen’s rendition of the above, on radio in 1971. But, again, it was here where the song made the impression it did. Still has me.

a star is born

A Star is Born (1976)

Evergreen: I guess one could argue it’s the signature tune of this film, one of many solid ones. Along with the fact it was the film’s biggest hit. Still, I’ve positioned it here.

With One More Look At You / Watch Closely Now: With what I’ve said of the previous song, this was how to close out a musical! Babs in full glory, with a finale that doesn’t get the appreciation it should.

Sparkle

Aretha Franklin successfully re-recorded this with Curtis Mayfield, but nowhere was the movie’s actual soundtrack ever released, unfortunately. I ‘borrowed’ this song for my iPod directly from the film itself.

Something He Can Feel – Sparkle (1976): Some will recognize this wonderful Curtis Mayfield song, primarily through its most recent 2007 incantation, but it was done here first. Performed by Lonette McKeeIrene Cara and Dwan Smith in a more real, and less flashy, fashion. Love this.

all that jazz

All That Jazz (1979)

I remain an out-an-out fan of this film. The one Fosse production that made me understand the importance of hands and arms in dance.

On Broadway: If Streisand had the best close for a single artist on the list, this needle-dropped song by George Benson for Bob Fosse’s greatest film represented the best start for a dance-slash-musical. Simply mesmerizing.

Take Off With Us: Whimsical, eye-popping, and definitely boundary-pushing for 1979, this dance sequence had it all. As Alan Arkush described, “A depiction of coast-to-coast sex that’s the real show-stopper.” The snappy little number that Frank Sinatra wouldn’t go near.

Bye Bye Love: Okay, as opposed to Streisand’s bit, this is the best closing number on the list for an ensemble piece. Everything in the film led up to this moment and Bob Fosse, bless his heart, didn’t pull back. If there’s another role, besides his Chief Martin Brody from Jaws, when I think of Roy Scheider, it’s this.

victor victoria

Victor Victoria (1982)

The Shady Dame From Seville: Remember what I said of Julie Andrews earlier? Well, her husband, the unappreciated Blake Edwards, certainly knew how to showcase her. Indeed.

Le Jazz Hot: Just see above. Besides, any film featuring Julie Andrews and the late-James Garner will always remain a favorite of mine.

the great gatsby

Young and Beautiful – The Great Gatsby (2013): I had to thank Ruth of Flixchatter for first turning me on to this. Confirming how great Lana Del Rey’s haunting number from the film was when I finally saw it deployed on film.


How about you? Any featured songs from a Musical you’ve collected because of a movie?


The entire series can be found here.

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13 Responses to “Purely Because of a Movie – Songs on My iPod Part 7”

  1. cindybruchman

    Lovely post, lots of fond memories here. Yes, I would add ‘A Chorus Line’ — I know every word ;), and ‘West Side Story’ — I’ve watched that film more than any other. Oh, and ‘The Wiz’. Oh, and ‘Sweeney Todd’ with Angela Lansbury.

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  2. jackdeth72

    Some memorable selections here, Michael!

    ‘The Wizard of Oz’: Superior songs and ditties. Offset by FLYING MONKEYS!!!
    The Wicked Witch’s (Margaret Hamilton) and her flying minions upset me the first time as a kid. And still kind of does, today. Definitely agree with you on Ray Bolger.

    I was introduced to Andrew Lloyd Webber through the stage long before film. And learned early on that one ALW tune is very much like another throughout most of his later orchestral and arrangement career. ‘Jesus Christ Superstar’ is still his best work.

    Not much of a Barbra Streisand fan. Though I admire her stoic perseverance.

    Excellent catches on the “Cattle Call” in ‘All That Jazz’. Always liked its ‘Everything Old Is New Again’. Along with ‘Bye Bye Love’. One of the great explorations of the Fosse ‘style” or “method” of choreography. Which is all slink, fetish and hints of sex. Well brought to life with ‘Take Off With Us’.!

    Surprised that ‘My Fair Lady’ didn’t make the cut.

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    • le0pard13

      We have a few in common, Kevin. I do enjoy My Fair Lady, I guess not as much that it breaks whatever threshold in my head. I did eventually take in the stage play of Jesus Christ Superstar, too, and enjoyed the experience. Yeah, that opening of the All That Jazz was somethin’! Can’t wait for its new Criterion Collection coming this month. Thanks so much, my friend.

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  3. fernandorafael

    These are great! I’m a big fan of musicals, and I really enjoy the titular “Singin’ in the Rain” by Gene Kelly, as well as Jennifer Hudson’s show-stopping “And I Am Telling You I’m Not Going” from Dreamgirls, “La VIe Boheme” from Rent, “Run and Tell That” from Hairspray, “El Tango de Roxanne” from Moulin Rouge and pretty much every song in “Chicago”.

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  4. ruth

    Thanks for the link love, glad we’re both a fan of Del Rey’s song. Oooh so many great stuff here Michael! I LOVE Sound of Music too, I also have the CD from the movie. Edelweiss is such a beautiful & emotional song. I also own a lot of Andrew Lloyd Webber’s CDs and Jesus Christ Superstar’s I Don’t Know How to Love Him is one of my faves!

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