Friday Forgotten Song: Summer Madness by Kool & the Gang
Some songs from the Jazz Fusion era of the 70s have preoccupied my time, listening and otherwise. Guilty as charged. And I did say I’d “…leave it alone for a while” right here. Did and done, I’d surmise. Now, you may be tempted to stop reading, if this style of music was never your thing. Even though I’ve couched it as such, doesn’t necessarily mean I’ve totally veered back into jazz rock.
Actually, this entry looks at something that unpredictably went pop and strangely trendy almost four decades ago.
Arguably, it’s one of those that doesn’t get the play it should today. Even though, it’s associated with the season currently in full bloom at the moment via its title. One perhaps impacted by those same Jazz Fusion notes afloat in the period. Yet, the tune harkened back to another legendary instrumental that unexpectedly topped charts way back when the 50s crossed into the 60s.
It’s a piece of music, decidedly non-classical, performed with bass, keyboard, drums, guitar, and significantly a synth, without hint of vocals. That tune would be Summer Madness. Brought to bare by “one of the most inspired and influential funk units during the ’70s” (quoting Allmusic), Kool & the Gang.
What would ‘the Nineteen Seventies’ have been like without brothers Robert Bell (aka “Kool”) and Ronald Bell on bass and tenor sax, respectively, lead vocalist James “J.T.” Taylor, drummer George Brown, trumpeter Robert Mickens, Dennis Thomas on alto saxophone, Claydes Charles Smith on guitar, and Rick Westfield on keyboards, punching out funky R&B tunes? I daresay it would have been a Hell of a lot worst without them, if we didn’t have them around to chill us out.
I tell ‘ya.
Their well-named Funky Stuff song, along with Jungle Boogie, Higher Plane, Rhyme Time People, and Hollywood Swinging, kept us so-called hipsters self-possessed enough to manage through that troubling time. Is it any wonder that the coolest character in the film Pulp Fiction uttered the group as an adjective in a timeless bit of dialogue within a scene to acknowledge not only himself, but calm a situation going decidedly down the drain (verbally and otherwise):
“Hey, that’s Kool and the Gang.” ~ Jules Winnfield
Sampled by various artists through the years, Summer Madness had to be one of the unforeseen gems to come out of the Light of World LP on its release in ’74. I think I flattened every groove on my copy of the album back then before the year was out, the deepest surely with this track. Likely one of the most successful B-side numbers from the days when the 45 was still king, it did make quite a mark on radio airwaves. An instrumental that played across R&B, jazz, and pop stations, at least around here in SoCal for sure.
Not only did it make the number unique, but put the tune in rare company.
Go no further than Dave Brubeck‘s legendary Take Five the previous decade over to see the ripple that help spawn it, in my opinion. Summer Madness‘ distinct jazz roots, much like what was impacting the fusion rock of the time, were clear. No doubt assisted by the fact Kool & the Gang was originally formed as a jazz ensemble, before staking claim on soul and funk in the 70s. A few years after Brubeck’s tune became a certified classic of jazz and pop music as the 60s arrived.
It’s my belief the same jazzy syncopation and infectious melody of Take Five, one that made it irresistible to various listeners, had similar effect with this unmistakable ‘Me Decade’ hit. It’s next to impossible to forget once heard. Especially, when it came to the synth used to create the well-known gliding sound within a song having a coolness-factor cranked to 11. Someone more versed than me in music and instrumentality described it thusly:
“The track begins with the Rhodes riff, then the synth line consists of octave jumps. Ronald Bell played sax and keys. The synth they used on that track was an Arp 2600 for the octave jumps and solo, and the string washes were done on a Mellotron.”
There were more than few instrumentals during this era on popular radio stations, AM and FM, but none registered across music genres like this tune. Still pumping out music all these years later, Kool & the Gang‘s surprising tune became a hit in 1975, and the album’s most recognizable track. Even 1976’s Rocky film needle dropped it into their soundtrack. Composed by various artists, it remains a unique piece of music, no doubt helped by that mesmerizing synth still sending listeners into orbit.
Likely one of the most used songs on any romantic mixtape of the era, it’ll put me right back into bell-bottoms, with a Cold Duck in hand, and mellow this player right out.
16 Responses to “Friday Forgotten Song: Summer Madness by Kool & the Gang”
That was the song I needed right now. I’m sitting in the office and today is supposed to be the hottest day of the year (currently 32 °C).
This one with certainly cool you off, Dirk. Thanks for the read and comment.
Awesome music for a Friday… or any other day, Michael 😀
Thank you very much, Ruth :-).
I listened to jazz music for about five minutes in the early 80s. There was an L.A. station that later went classical, but I had it on almost all the time for a year or so. I never became well versed enough with the grammar of jazz to feel like I could appreciate as more than background music. Funk was something every child of the 70s knew, and even if not a fan you could recognize. The fusion of the two is a nice way to start or end a day. Thanks for the share. This Elvis guy enjoyed it immensely.
I remember the FM station you speak of, Richard. I listened to some of my first John Coltrane, Cal Tjader, and other jazz great cuts right there. Thank you very much, my friend. Especially since it comes from an Elvis guy :-).
[…] thereafter. The use of the color black, principally, being keen. You’d only have to look at a recent song post and this authoritative 1977 record by Steely Dan for […]
My friend, I missed this post. Huge kook and the gang fan. Great post M. That is a seriously infectious groove. Got to check and see if I have it.
Great to hear you’re a fan of Kool & The Gang, G! Those guys really put together many infectious grooves, alright. Many thanks, my friend :-).
[…] jazz radio stations ’84. As a result, it became an unexpected commercial instrumental single like another the previous decade. This forgotten track remains one of my best-loved theme songs, and one that was so memorably tied […]
[…] singles that popped up on occasion during the 70s and 80s. Something that seems so rare nowadays, unlike another jazz-tinged tune from the previous decade. This forgotten tune remains one of my best-loved theme songs, one that was so memorably tied with […]
Can anyone here tell me what the impetus was for Summer Madness? Does it depict something or comment on something?
If you’re referring to the song’s title, that is a good question. It’s remains a catchy one, but how it relates to the Kool and the Gang’s instrumental is beyond me. Thanks for asking, though 🙂
Hey michael, what’s up? I’ve wanted to know if you know any other songslike or a proper genre that Summer Madness fits in. It’s my fav jam and it drives my mind wild, and it has accomplished to do so for years. However i can’t find a single track like it… would you help me out?
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Good question. Let me think on it some and get back to you. 🙂
[…] Madness – with influences in Brubeck’s Take Five (as mentioned here), “Summer Madness‘ distinct jazz roots, much like what was impacting the fusion rock of the […]