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Posts from the ‘AFI Top Ten’ Category

13
Apr

Versus AFI: 10 Top 10 – Sci-Fi

Previous: Gangster

This is the continuation of a series I began in January of this year that examines and remarks on The American Film Institute and its recent propensity to create Top 10 lists. Specifically, the organization’s need to gather publicity by documenting their celebration of cinema’s centennial via a series of TV specials. Each time, the AFI went about giving importance to a set of motion pictures based on criteria and judgments their groups of ‘experts’ determined. It has generated opinions among fans and film aficionados ever since in varying degrees of disagreement. If you’re unaware, the AFI is a non-profit organization created by the National Endowment for the Arts back in the 60s. One of its main charters is the preservation of American film legacy. As they put it,

“Each special honors a different aspect of excellence in American film.”

Unquestionably, their prime purpose was to get people talking about film. So be it. This series on AFI’s Top 10s (out of their 100s lists) for 2012 is my motivated response to compare their picks with a moviegoer (me) per each of their indexes. Naturally, I’m fully aware that readers’ mileage may vary (indeed, we know they will) when it comes to these selections. Fair enough. Either way, it’s going to be painful as picking one above the other always is in such endeavors. You’re invited to add your own and/or disagree all you want in the comments or your blog site (all I ask is that you leave a link so we, the readers, can peruse). Shall we continue?

Sci-Fi

AFI defines “science fiction” as a genre that marries a scientific or technological premise with imaginative speculation.

  1. 2001: A Space Odyssey
  2. Star Wars: Episode IV – A New Hope
  3. E.T. – The Extraterrestrial
  4. A Clockwork Orange
  5. The Day The Earth Stood Still
  6. Blade Runner
  7. Alien
  8. Terminator 2: Judgment Day
  9. Invasion of the Body Snatchers
  10. Back to the Future

Read more »

13
Mar

Versus AFI: 10 Top 10 – Gangster

Previous: Courtroom Drama

This is the continuation of a series I began in January of this year that examines and remarks on The American Film Institute and its recent propensity to create Top 10 lists. Specifically, the organization’s need to gather publicity by documenting their celebration of cinema’s centennial via a series of TV specials. Each time, the AFI went about giving importance to a set of motion pictures based on criteria and judgments their groups of ‘experts’ determined. It has generated opinions among fans and film aficionados ever since in varying degrees of disagreement. If you’re unaware, the AFI is a non-profit organization created by the National Endowment for the Arts back in the 60s. One of its main charters is the preservation of American film legacy. As they put it,

“Each special honors a different aspect of excellence in American film.”

Unquestionably, their prime purpose was to get people talking about film. So be it. This series on AFI’s Top 10s (out of their 100s lists) for 2012 is my motivated response to compare their picks with a moviegoer (me) per each of their indexes. Naturally, I’m fully aware that readers’ mileage may vary (indeed, we know they will) when it comes to these selections. Fair enough. Either way, it’s going to be painful as picking one above the other always is in such endeavors. You’re invited to add your own and/or disagree all you want in the comments or your blog site (all I ask is that you leave a link so we, the readers, can peruse). Shall we continue?

Gangster

AFI defines the “gangster film” as a genre that centers on organized crime or maverick criminals in a twentieth century setting.

  1. The Godfather
  2. Goodfellas
  3. The Godfather Part II
  4. White Heat
  5. Bonnie and Clyde
  6. Scarface: Shame of a Nation
  7. Pulp Fiction
  8. The Public Enemy
  9. Little Caesar
  10. Scarface Read more »
13
Feb

Versus AFI: 10 Top 10 – Courtroom Drama

Previous: Epics

This is the continuation of a series I began in January of this year that examines and remarks on The American Film Institute and its recent propensity to create Top 10 lists. Specifically, the organization’s need to gather publicity by documenting their celebration of cinema’s centennial via a series of TV specials. Each time, the AFI went about giving importance to a set of motion pictures based on criteria and judgments their groups of ‘experts’ determined. It has generated opinions among fans and film aficionados ever since in varying degrees of disagreement. If you’re unaware, the AFI is a non-profit organization created by the National Endowment for the Arts back in the 60s. One of its main charters is the preservation of American film legacy. As they put it,

“Each special honors a different aspect of excellence in American film.”

Unquestionably, their prime purpose was to get people talking about film. So be it. This series on AFI’s Top 10s (out of their 100s lists) for 2012 is my motivated response to compare their picks with a moviegoer (me) per each of their indexes. Naturally, I’m fully aware that readers’ mileage may vary (indeed, we know they will) when it comes to these selections. Fair enough. Either way, it’s going to be painful as picking one above the other always is in such endeavors. You’re invited to add your own and/or disagree all you want in the comments or your blog site (all I ask is that you leave a link so we, the readers, can peruse). Shall we continue?

Courtroom Drama

AFI defines “courtroom drama” as a genre of film in which a system of justice plays a critical role in the film’s narrative.

  1. To Kill A Mockingbird
  2. 12 Angry Men
  3. Kramer vs. Kramer
  4. The Verdict
  5. A Few Good Men
  6. Witness For The Prosecution
  7. Anatomy Of A Murder
  8. In Cold Blood
  9. A Cry In The Dark
  10. Judgment at Nuremberg Read more »
13
Jan

Versus AFI: 10 Top 10 – Epics

Without a doubt, The American Film Institute has the gift for generating opinions among fans and film aficionados. If you’re unaware, the AFI is a non-profit organization created by the National Endowment for the Arts back in the 60s. One of its main charters is the preservation of American film legacy. That, and running its own graduate film school located here in Los Angeles (which has developed a number of notable graduates in the form of filmmakers like Terrence Mallick, David Lynch, Darren Aronofsky, Bill Duke and others). They also give out the AFI Life Achievement Award annually. Notable stuff, indeed.

However, if there’s one thing that has created a niche for them, literally put them onto the air waves and into moviegoers heads (in good and bad ways), it is their fairly recent propensity to create lists. The organization stirred talk around various water-coolers (which has since migrated to the web) when they decided to document their celebration of cinema’s centennial via a series of TV specials. Each time, the AFI went about to give importance to a set of motion pictures based on criteria and judgments their groups of ‘experts’ determined, which they then publicized on television. I still find this ironic since the TV medium traditionally represented film’s competition (and still does). No matter. As they put it,

“Each special honors a different aspect of excellence in American film.”

Needless to say, each of these has also generated their own discussion, if not downright vehement disagreement among the movie-going public, on what film truly deserved a Top 10, or 100… whatever, placement on the various categories the AFI centered on, beginning back in 1998. Unquestionably, this was their prime purpose — to get people talking about film. So be it. As I’ve done in various forums since they started this fight conversation, I decided to do a series on AFI’s Top 10s (out of their 100s lists) for 2012, the purpose of which is to compare their picks with a moviegoer (me) per each of their indexes.

Naturally, I’m fully aware that readers’ mileage may vary (indeed, we know they will) when it comes to these selections. Fair enough. Either way, it’s going to be painful as picking one above the other always is. You’re invited to add your own or disagree all you want in the comments or your blog site (all I ask is that you leave a link so we, the readers, can peruse). I’ll kick this off by taking on their 10 Top 10, which examines “America’s 10 Greatest Films in 10 Classic Genres“. Whew. So glad I decided to start small ;-) .

Epic

AFI defines “epic” as a genre of large-scale films set in a cinematic interpretation of the past.

  1. Lawrence of Arabia
  2. Ben-Hur
  3. Schindler’s List
  4. Gone With The Wind
  5. Spartacus
  6. Titanic
  7. All Quiet on the Western Front
  8. Saving Private Ryan
  9. Reds
  10. The Ten Commandments
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